Canon C200 LUT Pack

$20.00

Clog 3 LUTs (Rec709 Gamut) + Clog 2 (Canon Cinema Gamut)

Canon Log 3 (Rec 709 Gamut) and Cinema RAW Light (Canon Log 2/Canon Cinema Gamut)

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Clog 3 LUTs (Rec709 Gamut) + Clog 2 (Canon Cinema Gamut)

Canon Log 3 (Rec 709 Gamut) and Cinema RAW Light (Canon Log 2/Canon Cinema Gamut)

Clog 3 LUTs (Rec709 Gamut) + Clog 2 (Canon Cinema Gamut)

Canon Log 3 (Rec 709 Gamut) and Cinema RAW Light (Canon Log 2/Canon Cinema Gamut)

A fantastic one-click Rec709 transform LUT for Canon Clog3 (Rec 709 Gamut) and Clog2 (Canon Cinema Gamut) footage.

I developed this LUT simply because I was not happy with the Canon provided LUTs, namely with how blues and skin tones were mapped as well as contrast. These LUTs fix those issues.

The RAW LUTs are intended for the default encoding is most NLE’s which is Canon Log 2 gamma curve and Canon Cinema Gamut color space.

Included LUTs:

  • Clog 2 to Rec709

    • Base, Moody, Neutral, Boost, Indie, Faithful, Faithful Crush, Vibe, Vibe Crush

  • Clog3 to Rec709

    • Base, Crush, Expo, Boost, Indie, Indie Cool, Faithful

Key Features:

  • Accurate colors

  • Accurate skin tones

  • Pleasing highlight roll-off

*Note: Best used when selecting the Canon Log 3 preset in the C200 menu. When shooting in Cinema RAW Light, ensure that your NLE is decoding the CRM files as Canon Log 2/Canon Cinema Gamut.

These LUTs are designed to give you a starting point for color grading. In many cases, they look great without any other corrections (when your footage is exposed and balanced properly), but I intentionally do not stretch the contrast /saturation very far so as to work in all lighting conditions. My intent is to not “destroy” the image with too much contrast or saturation like many other LUTs out there do, so consequently, additional contrast or saturation may be needed to your footage to suit your preference. Some of my Canon LUTs have more contrast than others.